Wishing everyone a very Merry Christmas and creative positive 2020
Monday, 23 December 2019
Thursday, 22 August 2019
Paper Trail
last year i signed up with 'appletye' to be part of their 100 years of paper https://appletye.org/paper-trail/
i was sent a very small piece of paper approximately 5cm x 7cm and the year of 1965 to use for my inspiration. so long as i incorporated the piece of paper i could do anything!
i was sent a very small piece of paper approximately 5cm x 7cm and the year of 1965 to use for my inspiration. so long as i incorporated the piece of paper i could do anything!
after a lot of thought i came up with‘The hangman’s noose’ 1965
The noose
used by the hangman was made from Manila (abaca) hemp rope, boiled to take out any
likelihood of stretching during use. It was formed into coils and waxed, soaped
or greased to assure that the knot slid easily. Britain used a simple noose
consisting of a loop worked into one end of the rope with the other end passed
through it.
My response to
the 1965 Act was to utilise the small piece of W. S. Hodgkinson paper and
refashion it into a long continuous piece reflecting the hangman’s rope.
I started by
boiling the paper piece for 30 minutes in plain tap water. Then cut it into 2mm
wide strips and joined them into one continuous length by overlapping and
sandwiching between sheets of fine Abaca paper with PVA. While still damp it
was wrapped around a cylinder to retain its shape. Approximately half was waxed
with beeswax and the Abaca paper trimmed. This length was bound into a coil using
a length of Abaca fibre tied with a hangman’s knot. The remainder coated in
liquid graphite left loose.
i loved working on this piece, using paper is one of my great loves. it is interesting to see what others have done too with their paper pieces. go and have a look.
Monday, 5 August 2019
Summer Schools
This year i was lucky enough to do 2 Summer Schools back to back and at the same place; even better.
The first was with the Textile Study Group and tutor Gwen Hedley. It as just perfect for me, wrapping and playing around with construction. After an initial evening of colouring cloth, paper and thread with acrylic paint (my kind of colouring, Gwen showed us some of her techniques for wrapping, creating 'textiles' and assembling items.
i loved this workshop as she then let us decide on what we wanted to do - so grown up and not prescriptive. As usual i came home with only a very few samples but i feel i have learnt such a lot.
i chose to construct some samples using soluble sandwiches.
i had brought with me some black card pieces, no idea where i got them from and i assume they might be waste product? anyway the plan was to create a complete linked 'piece' by placing items on a sticky water soluble surface and then covering with a thin transparent water soluble layer that you stitch into. i started by wrapping each piece with thread to create substance to link into. the dark running stitches are horse hairs and then i used transparent nylon thread to link with the black 'dots' making sure all was linked together and knots joined the threads where they crossed over.
the pencil is there for scale. this time i used cross linking.
my second Summer School was with Distant Stitch and tutor Alice Fox. not in my comfort zone but i enjoyed it thoroughly. collecting leaves for eco dyeing (botanical contact printing), printing and making inks/ dyes from what we had around us.
i produced a long thin book made from Alice's favoured silk noil and a combination of stitch and eco dyeing/printing with leaves.
i love the minimalistic piece i have achieved. definitely something to save for future reference.
The first was with the Textile Study Group and tutor Gwen Hedley. It as just perfect for me, wrapping and playing around with construction. After an initial evening of colouring cloth, paper and thread with acrylic paint (my kind of colouring, Gwen showed us some of her techniques for wrapping, creating 'textiles' and assembling items.
i loved this workshop as she then let us decide on what we wanted to do - so grown up and not prescriptive. As usual i came home with only a very few samples but i feel i have learnt such a lot.
i chose to construct some samples using soluble sandwiches.
i had brought with me some black card pieces, no idea where i got them from and i assume they might be waste product? anyway the plan was to create a complete linked 'piece' by placing items on a sticky water soluble surface and then covering with a thin transparent water soluble layer that you stitch into. i started by wrapping each piece with thread to create substance to link into. the dark running stitches are horse hairs and then i used transparent nylon thread to link with the black 'dots' making sure all was linked together and knots joined the threads where they crossed over.
after washing away the soluble papers what was left is a delicate, light mesh. i am soooo happy with this but it did take a time!
i can remember making samples of machine embroidery on this type of paper and hated it; this is much more ME.
i then created another with pine needles and pieces of umbrella metal.
the pencil is there for scale. this time i used cross linking.
my second Summer School was with Distant Stitch and tutor Alice Fox. not in my comfort zone but i enjoyed it thoroughly. collecting leaves for eco dyeing (botanical contact printing), printing and making inks/ dyes from what we had around us.
i produced a long thin book made from Alice's favoured silk noil and a combination of stitch and eco dyeing/printing with leaves.
i love the minimalistic piece i have achieved. definitely something to save for future reference.
Labels:
Alice Fox,
Distant Stitch,
eco dyeing,
Gwen Hedley,
Textile study group
Thursday, 18 July 2019
Two new hips and some new work
i realised when i went to write this post that i have not done so since last October. i hate people who don't update their blogs regularly so no excuse except that in November last year i had my second hip replacement but we are up and 'running' now!
i am concentrating on an exhibition for South West Textile Group in November at the ACE Gallery in Somerset.
'Wasted' is the title and as my mind works in strange ways i immediately thought of waists! the idea was to encourage us to use waste products or at least think of waste. for many years i have been collecting used coffee stirrers, lolly pop sticks, forks, knives etc of the kind used with take-aways, fish and chips etc. mainly wooden but some are plastic too. i have often thought that although they are wood and hence biodegradable it is still a waste. they are still only used once and then thrown away. 'what a waste'.
in my work as a textile conservator and working with costume i come across many interesting female shapes and the undergarments that go with them. so 'what a waste/waist' is where i am working to now.
i have been bending my lolly sticks etc to create 'waist' shapes in imitation of corset boning and busks (the wood or bone piece slipped in the centre front of a corset. many of these busks are beautifully decorated with domestic images of hearts, stars, dates and names so i was inspired to create similar shapes with drilled holes. to some extent they remind me of human ribs and the distortion achieved by using restriction.
i was also sampling ideas of covering some of the sticks and using cane as early stays would be made with this before whalebone and also playing with my beloved graphite!
i played around with many ways of linking. originally i thought of using twisted wire but eventually i decided bookbinders linen was the best and twining. above are 3 constructions still in progress as i need to decide on the best way of display and finish.
still a way to go and so many ideas and i haven't even started with the plastic spoons!
i am concentrating on an exhibition for South West Textile Group in November at the ACE Gallery in Somerset.
'Wasted' is the title and as my mind works in strange ways i immediately thought of waists! the idea was to encourage us to use waste products or at least think of waste. for many years i have been collecting used coffee stirrers, lolly pop sticks, forks, knives etc of the kind used with take-aways, fish and chips etc. mainly wooden but some are plastic too. i have often thought that although they are wood and hence biodegradable it is still a waste. they are still only used once and then thrown away. 'what a waste'.
in my work as a textile conservator and working with costume i come across many interesting female shapes and the undergarments that go with them. so 'what a waste/waist' is where i am working to now.
i have been bending my lolly sticks etc to create 'waist' shapes in imitation of corset boning and busks (the wood or bone piece slipped in the centre front of a corset. many of these busks are beautifully decorated with domestic images of hearts, stars, dates and names so i was inspired to create similar shapes with drilled holes. to some extent they remind me of human ribs and the distortion achieved by using restriction.
i was also sampling ideas of covering some of the sticks and using cane as early stays would be made with this before whalebone and also playing with my beloved graphite!
i played around with many ways of linking. originally i thought of using twisted wire but eventually i decided bookbinders linen was the best and twining. above are 3 constructions still in progress as i need to decide on the best way of display and finish.
still a way to go and so many ideas and i haven't even started with the plastic spoons!
Subscribe to:
Posts (Atom)