Paper Trail

last year i signed up with 'appletye' to be part of their 100 years of paper https://appletye.org/paper-trail/
i was sent a very small piece of paper approximately 5cm x 7cm and the year of 1965 to use for my inspiration. so long as i incorporated the piece of paper i could do anything!

after a lot of thought i came up with‘The hangman’s noose’ 1965

On 9^th November 1965 a Private Member’s Bill to suspend the death penalty for murder was introduced. The Murder (Abolition of Death Penalty) Act suspended capital punishment in the case of people convicted of murder in favour of a mandatory life imprisonment. In Great Britain it was made permanent in 1969.

The noose used by the hangman was made from Manila (abaca) hemp rope, boiled to take out any likelihood of stretching during use. It was formed into coils and waxed, soaped or greased to assure that the knot slid easily. Britain used a simple noose consisting of a loop worked into one end of the rope with the other end passed through it.

My response to the 1965 Act was to utilise the small piece of W. S. Hodgkinson paper and refashion it into a long continuous piece reflecting the hangman’s rope.

I started by boiling the paper piece for 30 minutes in plain tap water. Then cut it into 2mm wide strips and joined them into one continuous length by overlapping and sandwiching between sheets of fine Abaca paper with PVA. While still damp it was wrapped around a cylinder to retain its shape. Approximately half was waxed with beeswax and the Abaca paper trimmed. This length was bound into a coil using a length of Abaca fibre tied with a hangman’s knot. The remainder coated in liquid graphite left loose.

 i loved working on this piece, using paper is one of my great loves. it is interesting to see what others have done too with their paper pieces. go and have a look.

Summer Schools

This year i was lucky enough to do 2 Summer Schools back to back and at the same place; even better.
The first was with the Textile Study Group and tutor Gwen Hedley. It as just perfect for me, wrapping and playing around with construction. After an initial evening of colouring cloth, paper and thread with acrylic paint (my kind of colouring, Gwen showed us some of her techniques for wrapping, creating 'textiles' and assembling items.
i loved this workshop as she then let us decide on what we wanted to do - so grown up and not prescriptive. As usual i came home with only a very few samples but i feel i have learnt such a lot.
i chose to construct some samples using soluble sandwiches.

i had brought with me some black card pieces, no idea where i got them from and i assume they might be waste product? anyway the plan was to create a complete linked 'piece' by placing items on a sticky water soluble surface and then covering with a thin transparent water soluble layer that you stitch into. i started by wrapping each piece with thread to create substance to link into. the dark running stitches are horse hairs and then i used transparent nylon thread to link with the black 'dots' making sure all was linked together and knots joined the threads where they crossed over.

after washing away the soluble papers what was left is a delicate, light mesh. i am soooo happy with this but it did take a time!

i can remember making samples of machine embroidery on this type of paper and hated it; this is much more ME.

 

i then created another with pine needles and pieces of umbrella metal.

 

the pencil is there for scale. this time i used cross linking.

my second Summer School was with Distant Stitch and tutor Alice Fox. not in my comfort zone but i enjoyed it thoroughly. collecting leaves for eco dyeing (botanical contact printing), printing and making inks/ dyes from what we had around us.

i produced a long thin book made from Alice's favoured silk noil and a combination of stitch and eco dyeing/printing with leaves.

i love the minimalistic piece i have achieved. definitely something to save for future reference.