Chapter 8 part 1 asks you to choose a piece of textile to cut into 4 and extend the design in any way so it can eventually be made into an 'edge'. i chose, after a lovely saturday visiting the Gloucester Road charity shops in Bristol, a child's T-shirt. i love things that are slightly asymmetrical or quirky so this was ideal. the module says it can be scanned and 'made your own' which i did and as you can see in the last two pictures i have changed it completely.
#1 quite simple using chalk pastels, tissue paper and pen.
#2 using stencils based on the original shapes with paint, chalk and pen.
#3 i turned the image into black and white, playing with the contrast. using quink ink over aquawax stripes with paint and chalk over masks. i was given an electric whizzy 'dymo' for Christmas, so the added stripe is printed with that!!
#4 more adaptation to the original, the extension being worked with chalk, paint on stencils and felt tip. great fun to do! now onwards to some actual edges and possibly some stitch!
Sunday, 16 January 2011
Friday, 7 January 2011
Background!!
Monday, 3 January 2011
Metallic assessment item
metallic assessment piece finished (?) after hearing Sian's comments on my proposed assessment item using metal/metallics i went back and thought further. Sian suggested possibly thinking of a 2D shape emerging out of the surface into an implied 3D form. after many drawings and ideas i came up with the above, which is still quite 3D but less a brace of birds or dead bird but something more deconstructed and still umbrella like!!! she also suggested i include some stitch!
#1 i started working on the main spokes while thinking, as i knew they were a definite part of the piece. i used 0.15mm thick copper sheet which i could cut with scissors. i enlarged my design to the required size, took a tracing and then applied it to the metal with double sided sellotape and then cut the shape out. this method is very accurate.
#2 some of the 'spokes' were cut in one whilst some were cut in 3 pieces which were then joined through punched holes with silver wire, metal beads and crimps. once the pieces were cut they were flattened and the surface and edges filed.
#3 shows pieces cut but before they were joined and oxidised. i was working along the lines of having a fairly structured piece so i placed them into a piece of polystyrene so they stood upright and it helped to keep them from getting lost!
#4 my original proposal was to use a fine metal mesh for the 'lining' but as i was working on Module 3 knitting i thought that a fine knitted wire worked very well and more in keeping with me! i took the shape found in umbrella linings (a tapering wedge) and worked out a plan on graph paper which i roughly used to knit 8 pieces. 8 being the number of spokes used and the number of notches in the original runner used. after they were knitted they were scrunched up like old umbrella linings and oxidised too. feather-like stitches in a green metallic thread were worked on these pieces.
#5 above shows work in progress
#6 finished piece is a bit like a deconstructed wing. it is very fluid and articulated so can be changed into different shapes. i wanted to have the linking wires working their way back through the spokes and lining pieces, through the runner which was cut in half to give it a 2D appearance and ending in small labels embroidered with the words; umbra, wing, feather, unfold, unfurl, deconstruct, transform and broken. these were in response to the tape that encloses the umbrella when closed. i was originally going to have the piece attached to a backing support to which the labels and runner would be attached. i have tried many colours/ photographs of pavements/newspaper etc but all seem to distract from the piece itself. so i have left it on a cream paper (any suggestions?) i am very pleased with it as it is!
#7,8,9 and 10 all show details of the finished piece. above shows a fine copper tube through which wire links all the pieces together.
#8 i was originally going to make the labels from a punched paper i found in a charity shop but decided instead that metal would work better so i used the punched paper as a template and punched holes in the metal much to my families annoyance!the stitching was also worked in green and silver which is not amazingly visible but is in keeping with iridescent bird wings.
#9 detail of joining
#10 shows a detail of the coarse stitching on the knitted bits.
Time taken so far: 61 hours.
Cost: £9.85
#1 i started working on the main spokes while thinking, as i knew they were a definite part of the piece. i used 0.15mm thick copper sheet which i could cut with scissors. i enlarged my design to the required size, took a tracing and then applied it to the metal with double sided sellotape and then cut the shape out. this method is very accurate.
#2 some of the 'spokes' were cut in one whilst some were cut in 3 pieces which were then joined through punched holes with silver wire, metal beads and crimps. once the pieces were cut they were flattened and the surface and edges filed.
#3 shows pieces cut but before they were joined and oxidised. i was working along the lines of having a fairly structured piece so i placed them into a piece of polystyrene so they stood upright and it helped to keep them from getting lost!
#4 my original proposal was to use a fine metal mesh for the 'lining' but as i was working on Module 3 knitting i thought that a fine knitted wire worked very well and more in keeping with me! i took the shape found in umbrella linings (a tapering wedge) and worked out a plan on graph paper which i roughly used to knit 8 pieces. 8 being the number of spokes used and the number of notches in the original runner used. after they were knitted they were scrunched up like old umbrella linings and oxidised too. feather-like stitches in a green metallic thread were worked on these pieces.
#5 above shows work in progress
#6 finished piece is a bit like a deconstructed wing. it is very fluid and articulated so can be changed into different shapes. i wanted to have the linking wires working their way back through the spokes and lining pieces, through the runner which was cut in half to give it a 2D appearance and ending in small labels embroidered with the words; umbra, wing, feather, unfold, unfurl, deconstruct, transform and broken. these were in response to the tape that encloses the umbrella when closed. i was originally going to have the piece attached to a backing support to which the labels and runner would be attached. i have tried many colours/ photographs of pavements/newspaper etc but all seem to distract from the piece itself. so i have left it on a cream paper (any suggestions?) i am very pleased with it as it is!
#7,8,9 and 10 all show details of the finished piece. above shows a fine copper tube through which wire links all the pieces together.
#8 i was originally going to make the labels from a punched paper i found in a charity shop but decided instead that metal would work better so i used the punched paper as a template and punched holes in the metal much to my families annoyance!the stitching was also worked in green and silver which is not amazingly visible but is in keeping with iridescent bird wings.
#9 detail of joining
#10 shows a detail of the coarse stitching on the knitted bits.
Time taken so far: 61 hours.
Cost: £9.85
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